Paper Presentation 2017 / Booklet
Time/Room | C 300 | C 303 | C 305 |
Paper Presentation Conservatory Building | |||
Moderator | Dr. Elissa Miller-Kay | Dr. Chanyapong Thongsawang | Dr. Natthawut Boriboonviree |
15.30 | The Heroic Myth of Beethoven: A Performer’s Perspective |
Art Songs in Thailand: Arranging and Performing Dr. Saisuree Chutikul’s Vocal Works |
The Power of the Words Unspoken |
Dr. Elissa Miller-Kay | Dr. Chanyapong Thongsawang | Haruna Tsuchiya | |
16.00 | Gender Studies on Fanny Mendelssohn |
Music Composition and Performance Project: Ballades from Thai Literature for Piano Solo |
The Explorations of Philosophy in Thailand Music Higher Education |
Sarunda Siasiriwatana | Asst. Prof. Dr. Ramasoon Sitalayan | Dr. Saya Thuntawech | |
16.30 | Music and Numbers, Myth and Religious Belief in J. S. Bach’s Music as Essential Elements of a Proper Pedagogical Approach |
The Adaptability of Martin Luther’s Ein’ festa burg ist unsere Gott: the Heritage of Protestant Reformation in Thai Hymnal |
Connecting to Thainess on the Bridge of Audiences’ Experience in Western Music, a Case Study of Thai Contemporary Music |
Dott. Alberto Firrincieli | Santiphap Viriyothai | Sarupong Sutprasert | |
17.00 | Spanish Hero: What Lies behind Tárrega’s Legend |
Resonance in Vocal Techniques Analysis |
Rethinking the Concept of “Participation“ in Music: the Case Study of Senju Dajare Music Festival |
Apichai Chantanakajornfung | Kajornsak Kittimathaveenan | Kotaro Ishibashi | |
17.00 | Myths - Reality of Sound Production and Its Reflection on Music Performance |
The Analysis of Thai Xylophone’s Sound (Ranad Ek): A Case Study of Fine Art Department, Ministry of Culture Thailand |
Song and Music in Thai Musicals |
Tanasit Siripanichwattana | Phonlasit Tinnakorn Na Ayuthaya | Theerawut Kaeomak |
Room | C 300 | C 303 | C 305 |
Paper Presentation Conservatory Building | |||
Moderator | Asst. Prof. Dr. Dneya Udtaisuk | Dr. Jiradej Setabundhu | Anant Narkkong |
15:30 | 49 King’s Compositions in Every Heart of Thai People |
Her Voice Has Life: Echo in the Uncanny Valley |
2016 Thailand Mourning Realities: Relearning the Sound and Sight of Sadness After the Great Loss of His Majesty King Bhumibol |
Asst. Prof. Dr. Dneya Udtaisuk | Dr. Jiradej Setabundhu | Anant Narkkong | |
16:00 | Learning Pronunciation Through Music Activities: A Music Approach to Phonetics |
Metamorphosis of Traditional Heroes in Judeo-Christian Myth: New Hero Michael from Donnerstag aus Licht by Stockhausen |
Traditional Piphat Ensemble of Thai Cambodian, Por Mee Sil Band, Ban Ta Baek, Prakhon Chai District, Buriram Province |
Sasidisaya Sasisakulpon | Hyojung Huh | Dr. Chalermkit Kengkaew | |
16:30 | The Development of Western Music Theory in Co-Operative Learning Process |
Genius Loci | The Music for Spiritualism Ritual of Kui Ethnic Group |
Natsarun Tissadikun | Assoc. Prof. Dr. Jonathan Day | Dr. Chao Kanwicha | |
17:00 | Climbing to an Ivory Tower?: Myths VS Realities about Music PhD Learning |
New Perspectives in Sound Making: From Improvisation to Collective Composition |
Contemporary Thai Music |
Dr. Skowrung Saibunmi | Watchara Pluemyart | Wichian Tanalapprasert et al. | |
17:30 | Phenomenological of Music in Local: Activities of Music Learning, Ban-Thawon Tumbol-Thawon Aumpoe-Chaloem Pra Kiat District, Buriram Province |
Thai Chess: An Interdisciplinary Study of the Game Through Musical Composition |
Conservation and Continuation of Thai Folk Song: A Case Study Pleng Na Chumporn |
Dr. Thiti Panyain | Prateep Jattanakul | Asst. Prof. Ponglada Thampitakkul | |
Room | C 300 | C 303 | C 305 |
Paper Presentation Conservatory Building | |||
Moderator | Apichai Chantanakajornfung | Dr. Jiradej Setabundhu | Anant Narkkong |
15:30 |
New Steps: Princess Galyani Vadhana Institute of Music Youth Orchestra |
Narot, Copyrighted, All Rights Reserved |
Myth, Geography, and Culture Mapped: Representations of Thailand’s Andaman Sea Coast in Orak Lawoi Folk Song |
Dr. Suppabhorn Suwanpakdee and Pongthep Jitduangprem |
John T. Giordano | Lawrence N. Ross | |
16:00 |
Creating New Myth? | Analysis of Composition Technique Base on Thai Traditional Song in Anoo by Bruce Gaston |
Singing the Human Experience: Dream song of the Indigenous Semai of Malaysia |
Dr. Anothai Nitibhon et al. | Pradit Saengkrai | Assoc. Prof. Dr. Clare Suet Ching Chan | |
16:30 |
“Variety: So Absurd It’s Good“ PGVIM’s Student Presentations |
Illusion | Syair Bidasari, Re-Imagined: Performance Making of a Pan-Malay Folklore for an International Music Festival in Singapore |
Kittiphan Janbuala | Sysfiqah ’Adha Bte Mohamed Sallehin | ||
17:00 |
Music Composition “Spirit of Isan“ for Symphony Orchestra |
Ya-Yüeh and the Spirit of Humanity |
|
Akapong Phulaiyaw | Asst. Prof. Dr. Shang-Wen Wang | ||
17:30 |
“Variety: So Absurd It’s Good“ Panel Discussion |
||
Dhorn Taksinwarajan, Kawirat Saimek, Khetsin Chuchan, Selina A. Jones Dr. Thanapol Setabrahmana - Moderator |
Remark:
SVH | = Sangita Vadhana Hall, Administration Building | SVH FOYER | = Foyer of Sangita Vadhana Hall, Administration Building |
GQ | = Gourmet Quarter | CF | = Cafeteria at Gita Rajanagarindra Building |
C 200/ 300/ 303/ 305 | = Room 200/ 300/ 303/ 305, Conservatory Building | L 100/ 101 | = Room 100/ 101, PGVIM Learning Center |
G 201 | = Room 201, Gita Rajanagarindra Building | A 209 | = Room 209, Administration Building |